9 February - 25 February 2017

Hen Coleman – Toni Davey - Rachel Shaw AshtonLucas FerreiraStuart Redler

An exhibition of monochromatic works where each artist use different media – paper cut outs, ceramic, photography and charcoal drawings – to offer an array of contrasting and complementing textures and forms.

Hen Coleman’s charcoal drawings depict altered territories informed by landscape in which the protagonist’s role is carried by recurring motifs of vessels as containers and layered natural forms in transformed states. ‘The contrast between a terrain of ‘chaotic and abundant nature’ and the more measured environment of our ideas and behaviour presents itself as a dialectic, a third territory, not necessarily geographical or historical but an unfolding space or stage for playing out memories, responses and reactions.’
In the series of charcoal drawings, each stroke, circle or line is endlessly repeated, but with a variety of intensities. The surface becomes elaborate and intricate, with contrasting blacks and greys, sumptuous and rich.

Hen Coleman is a British artist, born in Venezuela. She is a graduate of the Royal College of Art and a current printmaking tutor at The Royal Academy Schools. Her work has been shown in various London galleries and is included in private and public collections in the UK and the USA.

Toni Davey’s white works are concerned with conveying the illusion of three dimensions onto a two dimensional surface. Her elegant cut outs aim to understand this transition through very controlled drawing or by physically reinventing the surface. In the work the underlying structure of the grid is always present. The grid offers the means to retrace one's footsteps and understand the journey, and to allow forms to follow a rule or sequence of changes. All the cut pieces are made from a single sheet of paper with nothing added or taken away.

'To draw, to cut, to score, to fold, two dimensions into three; manipulating light and shadow the surface evolves'.

Rachel Shaw Ashton hand cuts figures and forms from watercolour paper that is spray-painted. White, black or grey on white, each separate piece of meticulously cut paper is grouped together to form a stunning three-dimensional piece. Shadows between and behind each paper form create a dramatic tension. Despite the intensely laborious process of cutting each shape by hand, Rachel’s works have a fluid energy. Some works are calm; others are fr