In association with jaggedart
RSVP: art@newhall.cam.ac.uk
With an international reputation as an artist working through collage across different media, this new work by Charlotte Hodes has been informed by the influential 1856 book The Grammar of Ornament by architect Owen Jones, one of the most important design theorists of the 19th century.
Hodes subverts this male treatise and re-interprets it from the position of a contemporary female artist engaged in the languages of fine and decorative arts. “Hodes dismantles idea and form by using collage and papercut techniques to disrupt images, thus creating multifarious new directions and possibilities,” says Dr Janet McKenzie in her catalogue essay on the work.
Charlotte Hodes
Charlotte Hodes lives and works in London. She studied Fine Art as an undergraduate student (1978–82) and Painting as a postgraduate student (1982–84) at the Slade School of Fine Art, University College, London. At the Slade School under the Professorship of Lawrence Gowing, she was a student of Paula Rego, Stanley Jones and John Hoyland. Charlotte was Associate Artist at the Wallace Collection, London from 2005-2007 and Winner of the Jerwood Drawing Prize in 2006. She is Professor in Fine Art at London College of Fashion, University of the Arts London. Charlotte Hodes has exhibited with jaggedart since 2007.